Towards a Typology for the Placement of Names on Works of Art,” in Inscribing Texts in Byzantium: Continuities and Transformations, eds. Marc D. Lauxtermann and Ida Toth (London: Routledge, 2020), pp. 267–290.

Funerary Inscriptions at the Chora Monastery: Display, Function, and Meaning,” in Materials for the Study of Late Antique and Medieval Greek and Latin Inscriptions in Istanbul. A Revised and Expanded Booklet, prepared by I. Toth and A. Rhoby (Oxford and Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 2020), pp. 179–194.

Image, Epigram, and Nature in Middle Byzantine Personal Devotion,” in Natural Materials of the Holy Land and the Visual Translation of Place, 500 – 1500, eds. Renana Bartal, Neta Bodner, and Bianca Kühnel (London: Routledge, 2017), pp. 172–89.

The Limburg Staurotheke: A Reassessment,” Athanor 30 (2012), pp. 7–13.

Thesis & Dissertation

The Function of Text: Byzantine Reliquaries with Epigrams, 843–1204” (unpublished PhD dissertation, Florida State University, 2016).